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Benevolent Universe Premise

There is a fundamental conviction which some people never acquire, some hold only in their youth, and a few hold to the end of their days—the conviction that ideas matter . . . . That ideas matter means that knowledge matters, that truth matters, that one’s mind matters . . . .

Its consequence is the inability to believe in the power or the triumph of evil. No matter what corruption one observes in one’s immediate background, one is unable to accept it as normal, permanent or metaphysically right. One feels: “This injustice (or terror or falsehood or frustration or pain or agony) is the exception in life, not the rule.” One feels certain that somewhere on earth—even if not anywhere in one’s surroundings or within one’s reach—a proper, human way of life is possible to human beings, and justice matters.

Although accidents and failures are possible, they are not, according to Objectivism, the essence of human life. On the contrary, the achievement of values is the norm—speaking now for the moral man, moral by the Objectivist definition. Success and happiness are the metaphysically to-be-expected. In other words, Objectivism rejects the view that human fulfillment is impossible, that man is doomed to misery, that the universe is malevolent. We advocate the “benevolent universe” premise.

The “benevolent universe” does not mean that the universe feels kindly to man or that it is out to help him achieve his goals. No, the universe is neutral; it simply is; it is indifferent to you. You must care about and adapt to it, not the other way around. But reality is “benevolent” in the sense that if you do adapt to it—i.e., if you do think, value, and act rationally, then you can (and barring accidents you will) achieve your values. You will, because those values are based on reality.

Pain, suffering, failure do not have metaphysical significance—they do not reveal the nature of reality. Ayn Rand’s heroes, accordingly, refuse to take pain seriously, i.e., metaphysically. You remember when Dagny asks Ragnar in the valley how his wife can live through the months he is away at sea, and he answers (I quote just part of this passage):

“We do not think that tragedy is our natural state. We do not live in chronic dread of disaster. We do not expect disaster until we have specific reason to expect it, and when we encounter it, we are free to fight it. It is not happiness, but suffering, that we consider unnatural. It is not success but calamity that we regard as the abnormal exception in human life.”

This is why Ayn Rand’s heroes respond to disaster, when it does strike, with a single instantaneous response: action—what can they do? If there’s any chance at all, they refuse to accept defeat. They do what they can to counter the danger, because they are on the premise that success, not failure, is the to-be-expected.

.Copyright © 1986 by Harry Binswanger. Introduction copyright © 1986 by Leonard Peikoff. All rights reserved. For information address New American Library.

Acknowledgments

Excerpts from The Ominous Parallels, by Leonard Peikoff. Copyright © 1982 by Leonard Peikoff. Reprinted with permission of Stein and Day Publishers. Excerpts from The Romantic Manifesto, by Ayn Rand. Copyright © 1971, by The Objectivist. Reprinted with permission of Harper & Row, Publishers, Inc. Excerpts from Atlas Shrugged, copyright © 1957 by Ayn Rand, The Fountainhead, copyright © 1943 by Ayn Rand, and For the New Intellectual, copyright © 1961 by Ayn Rand. Reprinted by permission of the Estate of Ayn Rand. Excerpts from Philosophy: Who Needs It, by Ayn Rand. Copyright © 1982 by Leonard Peikoff, Executor, Estate of Ayn Rand. Reprinted by permission of the Estate of Ayn Rand. Excerpts from “The Philosophy of Objectivism” lecture series. Copyright © 1976 by Leonard Peikoff. Reprinted by permission. Excerpts from Alvin Toffler’s interview with Ayn Rand, which first appeared in Playboy magazine. Copyright © 1964. Reprinted by permission of Alvin Toffler. All rights reserved including the right of reproduction in whole or in part in any form. Used by arrangement with Plume, a member of Penguin Group (USA), Inc.